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It is my pleasure to present cartoonist Karen Romano Young. Karen is currently sailing on the U.S. Coast Guard Cutter Healy. The Healy is an icebreaker that is pushing its way through the ice during NASA’s ICESCAPE expedition. I will be posting anything Karen sends my way. If you want to see more of her work you can visit her site or pre-order her book Doodlebug: A Novel in Doodles. My friend and writer extraordinaire Ann Downer Hazel brought Karen’s work to my attention and all of us should be grateful to her for that! Karen is also guest blogging on Ann’s blog Science + Story. Check it out! Here’s the comic (click on it for a bigger version).

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You know things are bad when I am fall behind posting a strip that has been done for over ten years. We are in the throes of final exams. In fact, I am posting this while proctoring my final in Sensory Biology. All other finals are graded and I only have three more final papers to grade, so the end is in sight. But since it has been so long, here are three (count ‘em three) strips for today. In these are begin taking more cheap shots at the grim & gritty, hard-boiled look-kids-comics-are-serious comics of the 1990s. How on earth did Jack Kirby write decent stories without showing a periodic beheading or gruesome vivisection? It’s a mystery. The final strip is my commentary of the strained formula used by writers to bring heroes together for a team-up/fight.

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One of the unspoken powers of all comic book superheroes is immortality. They just keep having the same adventures over and over and over again with each generation changing to the mythology around the character so that the character themselves don’t actually have to change. Gotta keep the franchise and properties in play, after all. Anyway, here we posit the possibility of a character growing old normally while playing with the forbidden knowledge that all time travelers inevitably confront (whether they know it or not).

CB_strip_020Ah, the good old days when superheroes didn’t say naughty words and they could breathe in the freezing vacuum of outer space.

CB_strip_019Given that the universe is filled with constant explosions and massive discharges of energy, it has always amazed me how fragile the space/time continuum is in comics. Every time you turn around there’s another explosion ripping apart the shear fabric of reality. What’s worse is that it’s always the portal to some inhabited alternate reality that eventually spills into our own with tragic results. How come we never open rifts in space/time that connect us to universes full of chocolate flavored broccoli full of our recommended daily allowances of everything?

Here’s where things get autobiographical (see this post for an explanation). Oh, and we have another attempt at topical commentary.

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I tried some new things with the art here. In panel one of the first strip we have the very first time I ever had characters in the distance casting ominous shadows into the foreground. I don’t know why the kamikaze burritos aren’t also in black. Probably because I didn’t make the doorway wide enough to leave their silhouettes recognizable.  Panel four of the same strip was something new for me as well. Usually I felt compelled to keep the character’s head in the panel. This was the first time (I should check the other strips to be sure, but…nah) that, for dramatic effect, I didn’t.  In the second strip I got to use the word “fakin’” which is one of my favorites.  I also tried out a big ol’ foreshortened Jack Kirky hand for Cow-Boy’s dramatic return to health in the third panel.

Well, I completely missed the challenge last week, but Jason continues to plug along doing some very cool experiments in visual style for his comic. I was so full of shame for failing to complete a page for the challenge that I haven’t responded to his last email (sorry, Jason!). Anyway, this week I didn’t have time to put together a page of Age of Elytra because I had to get the summer reading record finished for the Huntingdon County Library. I have been making a record for our local library system to help them save a few bucks and because I like to help the library in whatever small ways I can. Plus, I’m married to someone on the library board. Anyway, this year’s theme (I think) is “dive into reading.” At least, I hope it is. If it’s “drive into reading” I sorta missed the mark with this one. Here it is for your consideration.

2010_Reading_RecordFor those not in the know, kids get a sticker for each hour they read (older kids) or how many books they read (younger kids). When they reach 12 books or hours they get some fabulous prize. Those on a the time track can mark their progress by coloring in the little 15-minute fish along they way.

Like many super-heroes, Daredevil has a suitably tragic origin. As a boy, Matt Murdock was hit by a truck carrying radioactive waste. The accident left him blind and accentuated his senses. It also gave him a “radar sense” that allows him to detect objects around him. This ability was originally described as being similar to echolocation, but that was later changed to be more of proximity detector. It was good change.

Organisms like bats that use echolocation emit ultrasonic calls and then listen for the echo. By comparing how long it takes for the echo to return they can determine how far away an object in the environment is, the closer the object the sooner the echo returns. Daredevil does not, however, emit any noise when using this power.

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Artwork by Frank Miller. Daredevil (c) Marvel Comics

Daredevil can sense animate and inanimate objects in the environment all around him (including behind him) and he can do so in the dark.  His life depends on his ability to sense a pointed gun or a raised knife. In today’s episode we will discuss a knife that can do the same thing.

knifefishThe weakly electric knife fish (photo credit unknown)

The knife fish found in Africa’s Black Volta River lives in water so murky that, like Daredevil, it is essentially blind. So how does it navigate the rocks and roots of the river, find food and avoid predators? The knife fish generates an electric field around its body. This is a weak field and can’t deliver a high voltage shock like an electric eel. However, the fish can detect anything that enters the field. Here’s how.

EOD-largeThe Electric Organ.(figure from PLoS Biology, 2009;7(9): e1000203 DOI: 10.1371/journal.pbio.1000203))

The fish has an organ called the electric organ in it’s tail. The electric organ is highly modified muscle tissue that generates electrical pulses that travel out from its tail and around to the front of the animal. If something enters the knife fish’s electric field it disrupts the flow of these electrical waves and the fish becomes aware of the intruder.  Very cool, but it gets better. The fish can tell the difference between an inanimate object and something living based on how much the electrical waves are deflected.

Weakly electricFigure taken from Eckert’s Animal Physiology (4th ed.). It is originally from “Electric Location in Fish” by H.W. Lissman(c) 1963 Scientific America, Inc.

Nonliving materials (like a rock or a rubber tube) tend not to conduct electricity very well. This means they force the fish’s electrical waves to take a big detour one the way from the electric organ to the head. Living things, on the other hand, are full of salt water and are good conductors of electricity, so they only disrupt the knife fish’s electric field a little bit because they conduct the fish’s electrical waves better than the rock (see the image above).

The catch to this is that weakly electric fields only work for critters surrounded by in water. That’s bad news for Daredevil, but great news for anyone who might one day get hit by a nuclear submarine that had a leaky reactor.

CB_strip_016Finally, some hitting! And, as a bonus, a hint to a greater Cow-Boy multiverse. As if one Cow-Boy wasn’t more than enough….

CB_strip_015For those not in the comic-book-know, the “do what I do best” is a line made popular by writers of Wolverine (for whom it usually mean slicing up bad guys with extreme prejudice). In this trip I am channeling my own response to direct confrontation.

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