Here is an interview with the incomparable Kevin Cannon (Far Arden) by the equally incomparable Jessica Abel (La Perdida and Drawing Words, Writing Pictures with Matt Madden). I’ve never had the pleasure of meeting Kevin face to face, but we did make a book together (Evolution). In this interview he explains how he and the also incomparable Zander Cannon (the team comprising Big Time Attic) work as the American equivalent of France’s Dupuy and Berberian. I always wondered how they coordinated their talents but was always too bashful to ask. The original video appears on the Drawing Words, Writing Pictures Blog.
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I submitted my grades at 1:00 pm yesterday and by 1:15 pm I was working on a new page for Age of Elytra. Most of my comics work over the school year has been with Ant Edna and Wilbur in the 22-page photosynthesis story Gimme Some Sugar and the 8-page story Tag for Free Comic Book Day. The style for those was pretty spare and flat. It is fun to get all detaily again. I have restructured the story a bit since I last worked on it and I think we are looking at about six more chapters. My hope is to get the rest of it completely written and a big chunk of it penciled this summer. To celebrate the resumption of the beetle work, I am posting the page I did yesterday. I removed the dialogue, because I don’t want to ruin anything for you, but I can tell you this: something is happening.
Today was Free Comics Book Day and comic shops around the country were inundated with folks looking for sweet, free comic goodness. As has been my tradition for the last five years, I spent a big chunk of the day sitting at a table with fellow cartoonist Jarod Rosello at The Comics Swap in State College. Normally, I don’t have anything to give away for free, but this year Jarod had the brilliant idea to put together a free mini. So, along with our other fellow cartoonist Denny Connolly, we each put together an 8 page story for a 24 page extravaganza called Evolution of Adventure (the title wasn’t my idea, but i love it for obvious reasons). The cover was done by yet another fellow cartoonist Alexis Bennett. All in all it was a pretty nice package. We managed to unload all 117 copies (yes, yes, they were free, but people didn’t have to take one…). So, in the spirit of Fee Comics Book Day and for those of you who couldn’t make it (you know who you are), I am posting my story here. It features the return of Ant Edna and Wilbur.
As always, the spring semester is kicking my tail. So, in a desperate attempt to post something, I present a two page strip on SARS I did for a magazine called Your World: Biotechnology & You. This is one of a handful of strips I did for them a few years back. As a rare treat, it is in color! This strip was also part of the successful NSF grant proposal that eventually funded the production and testing of Optical Allusions.
The summary has been summarized. Now just three more pages and we can call this thing a wrap. Also, this this my 200th post (cue party horn and virtual confetti). As always, this page has been added to the rest of the story in the Whole Enchilada post.
Is it too much to hope for a little Kirby-inspired grandeur in a comic about photosynthesis? I hope not, because that’s what I was going for. Rubisco is a monstrously big cube of protein, but it is also relatively inefficient. I had always imagined it as a big, impassive galoot with lids at half mast. I also wanted something that make the page interesting and fun (to me, at least). For some reason Galactus and Ego, the living planet came to mind and the central image on the page popped into my head.
As always, this page also appears with the full story over at the Whole Enchilada.
Must…finish…before…classes start. I’m close. We just need to meet rubisco, take a quick spin on the Calvin cycle and then recap. I’m thinking three more page. Of course, I had originally envisioned this as a 4 page explanation of photosynthesis, so what do I know? In this episode Wilbur is reunited with his long lost noggin.
The entire photosynthesis story is archived in the Whole Enchilada post.
The X-Man Wolverine has never been one of my favorites. Maybe it’s because it didn’t seem fair. Most mutants only get one ability, but he got two: an impossibly potent healing factor and retractable bone claws that are housed in his forearm. The latter seems to require the former or he would run the risk of infection and severe loss of blood every time he popped his claws out.
Wolverine (c) Marvel Comics, artwork by Frank Miller. Image: Gustavocarra / Creative Commons License
In terms of a “healing factor,” The Field Guide to Super-Powers is replete with examples. Most of us are familiar with reptiles and amphibians that can regenerate lost tails and limbs. There’s even a newt (Notophthalmus viridescans) that can regenerate a lost an eye, for Pete’s sake. We’ll discuss some choice invertebrates below that also regenerate bits and pieces they’ve lost. So, healing factor identified in nature. Check. Let’s turn our attention to those ridiculous…er…fascinating claws.
Wolverine’s bony claws are housed in his forearm and pop out of his knuckles. As an added bonus, some really bad people coated the claws and all of his bones with unbreakable adamantium so these babies can cut through anything. What makes the ability particularly strange (and I realize we left strange behind some time ago, but bear with me) is that it requires Wolverine to do some self-inflicted damage since those claws must pierce his skin each time they are deployed. Obviously, he can handle it since he has the healing factor. But surely self-inflicted wounds don’t happen in nature, right?
In fact, there are a number of examples of critters that will do bodily harm to themselves if the circumstances are dire enough. Sea cucumbers will eviscerate themselves and sea stars will jettison an arm to evade predators. Both, of course, can regenerate what was lost, so these are extreme but survivable, measures. They are also dependent on their respective “healing factors.” Now I know what you’re saying: These are last ditch defensive measures. Surely, SURELY, routinely popping bones out of your skin as a weapon makes no sense at all in nature.
Except, of course, it does, when it provides a selective advantage. Case in point: African frogs of the genera Astylosternus and Trichobatrachus. I spotted these creatures as I was wandering around Cameroon (O.K., David Blackburn made the actually discovery, but I did stumble across this as I was browsing through an old National Geographic a couple of weeks ago in my easy chair). When disturbed, these frogs deploy a bony claw from the tip of its toe. The claw is usually held in place by a stationary claw rest. To use it, a tendon pulls the claw from its resting position and the tip of the curved bone pierces the skin. Snikt!
A bad attitude seems to come along with claws like these (it probably stings a little for the frog and Wolverine). When disturbed, these frogs apparently flip out, kicking and squirming in an attempt to inflict as many gashes as possible on their attacker. As the researchers who described this adaptation point out in Biology Letters, this is a truly unique adaptation. No other vertebrate has to pierce its own skin to use its claws.* Fortunately, the self-inflicted wound that results from their use is probably no big deal for the frogs since, like many amphibians, they do have that remarkable ability to regenerate tissues.
National Geographic (June 2009), Wildlife, page 22
* This is a unique claw, but other amphibians pierce their skin with other bones. When threatened, the ribbed newt Pleurodeles waltl can project poison-tipped ribs from their back.
Y’know, it it was 50 degrees outside right now, I would be walking round without a coat. But thanks to a delivery snafu, we are temporarily without oil and 50 degrees inside seems pretty doggone chilly. We are all in the office, huddling around the EdenPURE, all in all it is nice productive family time. Which brings us to today’s photosynthesis page, produced under the watchful gaze of Max and Jack (the disembodied head bit never gets old with them). It has been added to the full story in the Whole Enchilada archive.
On a completely unrelated note, the quote of the weekend goes to Jack. We curled up under blankets last night to watch the Sorcerer’s Apprentice and I couldn’t contain my frustration with the crappy science used to explain magic (my patience may have been worn thin by the cold…). So much elementary school science so painfully wrong (which wouldn’t have been so bad if the main character wasn’t, y’know, a physicist). Truthfully, I have no problem with magic in a movies or books (i.e. Harry Potter, Fablehaven, etc) just don’t try to make it believable. You can’t. It’s MAGIC. Anyway, when it was all over Jack innocently pointed out to me that, with regards to the explanation of magic, “Dad, without the stupid parts, they couldn’t have made the movie.” I completely agree. Ok, I feel better. Here’s the page…